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Witchcraft Movie Corner: Practical Magic

When I asked people if there were any particular movies that they wanted me to cover in the Witchcraft Movie Corner, Twitter user the life shantastic suggested I cover the 1998 movie Practical Magic. As someone who both loves that movie and is an eternal Sandra Bullock fan, how could I say no? Plus, it seems like it would be rude for me to refuse the suggestion from the only person who has recommended a movie as of the time I’m writing this post. So late Monday afternoon, I checked to see if any of the streaming services were offering it and fired up a browser to head over to Hulu.

One of the things that I love about this movie is that not only does it portray witches in a positive light (I’d be hard pressed to think of an earlier movie that did so), but did not focus on witchcraft as a way to get power. Neither Sally, Gillian, nor their aunts seem to be obsessed with power. So while the movie falls into other tropes — or at least comes close to doing so in some cases — it avoids being a cautionary tale about seeking power. (As an example of a trope ti does play into, the movie seems to play into the trope that witchcraft is a “gift” that is somehow inherited rather than simply something one can learn through practice.)

I also like some of the subtle ways in which the movie portrays Sally and her family using witchcraft. For example, Sally seems to stir her drink multiple times throughout the movie using telekinesis. And while I personally have serious doubt about whether telekinesis is real, I appreciate that the movie portrayed such non-showy examples of supernatural magic. It was not a movie of pure spectacle, in my opinion.

Speaking of subtle bits of supernatural magic, I particularly love the scenes where Sally would ignite a candle while blowing on its wick. While this was once again a more subtle and non-showy example of supernatural magic, I also found it interesting in light of one of the things I learned about candles.

For those not aware of it, according to some witchcraft traditions, one should not blow a candle used in magic (or other ritual) out. Instead, such traditions recommend snuffing candles out. While a number of reasons might be given for this, I was taught that for at least some traditions, this is rooted in Kabbalistic thought that says that breath is the source of life. According to these traditions, the thought of using the breath/source of life to extinguish a flame is unthinkable. I don’t know if it was intentional, but these scenes in the movie suggested a tribute to that line of thinking, having their witch use the breath/source of life to ignite the flame instead.

I similarly liked the way the brooms were used, not only to sweep Jimmy’s spirit out of the house at the end, but when it falls over indicating a visitor (and one that was unwanted) is about to arrive. This struck me as a nod to the use of brooms to guard against negative energy and even negative beings. Having the broom topple seemed to me that it was overwhelmed by the negativity.

Another theme I found interesting is other people’s reactions to witchcraft. I love that early in the movie, one of the aunts tells Sally and Gillian, “People don’t hate us. We just make them nervous.” This is something I’ve talked about before, how even in pre-Christian times, there’s evidence that witches weren’t always trusted. And why wouldn’t we be? And yet, the movie also points out the flip side of that reality: People may not trust witches, but they still may want the help of witches on occasion. This is best displayed by the woman on the island who comes to the aunts for a love spell.

This nuance continued on later when Gary starts interviewing the other people in town. Some of the rumors he here’s about the Owens women are wild and even border on slanderous. And yet, other people have sympathetic and even downright kind things to say about them. So the complexity and nuance in which the opinion of this family of witches was viewed was a nice change of pace from outright vilification or utter idolization.

Let me turn now to “the curse” and young Sally’s true love spell. I found the idea of a self-imposed curse upon the family a rather interesting one. First, it escapes the trope of witches cursing others.1 It should also be noted that the aunts seem to suggest that the curse wasn’t really meant to be a curse, but turned into one. This is the first introduction of the idea that magic can go in ways the person who set it in motion did not intend, which is another theme that gets touched upon throughout the movie. Including with young Sally’s love spell.

I will note that I always found Sally’s love spell odd. Perhaps it would make sense to a young girl, but her logic of avoiding love by making a spell to call up someone who “couldn’t possibly exist” just seems weak. The movie even makes this point by having the spell fail twice: First when Sally falls in love with Michael despite him not being her “true love” from the spell and then when the spell manages to summon the “impossible man” in Gary.

Speaking of Michael, the aunt’s foolishness in casting that love spell is one of the few instances where I question their wisdom. When they confess what they had done to Sally, one of them says, “We never expected you would truly love him.” I just don’t get how two allegedly wise women with serious witchcraft experience would never consider that this is a real possible outcome when you “push someone” to open themselves up to the possibility of a relationship. Sloppy thinking, ladies!

Where I do appreciate the aunts’ wisdom is when they leave for a while so that Sally and Gillian can learn a hard yet much needed lesson. And yet, before they go, they take care to protect Sally’s children. To me, that’s a realization that Sally’s and Gillian’s choices could have consequences for others and the aunts acknowledge their responsibility to prevent or at least mitigate that.

Beyond that, there are just a number of quotes that I loved in the movie. I may not produce them verbatim (so beware repeating them lest I end up starting some sort of Practical Magic Mandela effect), but these are all capture their essence:

  • “Being normal is not a virtue. In fact, it shows a lack of courage.”
  • “So you’re drugging you’re boyfriend to get a little shut-eye?” Gillian definitely should have payed attention to the red flag there.
  • “You’d think after three hundred years, they’d come up with a better rhyme!” Sally’s commentary on the accusations of the people outside her shop was so spot on.
  • “Fine, but I don’t want them dancing naked under the full moon.” I just love that they worked a mention of ritual nudity into the movie without making it a huge deal. And the aunt pointing out that the nudity is entirely optional was a perfect response.
  • “Since when was being a slut a bad thing in this family?”
  • “Magic isn’t just spells and potions.” I really want this one on a tee shirt.
  • “You can’t practice witchcraft while you look down your nose at it.” I feel like this is another one worthy of a tee shirt.

If there’s a witchcraft or other occult-themed movie you’d like me to watch and comment on, mention it in a comment. Or use the contact page to send me an email about it.


1Okay, technically, the curse seems to be on the men who fall in love with the women in the family However, it’s a curse that clearly hurts those women as well. So I’d still argue it’s technically a curse imposed upon the witches themselves.