Tag Archives: The Craft: Legacy

Witchcraft Movie Corner: The Craft and The Craft: Legacy

As it’s Halloween time, Joe and I have been watching horror and occult themed movies. This past week, we re-watched both the 1996 movie “The Craft” and the 2020 sequel, “The Craft: Legacy.” I enjoy watching both of these movies, I find them rather entertaining. I also find myself having a lot of thoughts about both movies as a witch. This post will be my scattershot attempt to share at least some of those thoughts.

I won’t spend a lot of time talking about what details they got “wrong” or “right.” Sure, it annoys me that the refer to “calling the corners” in both movies rather than “calling the quarters.” But I think other people have discussed these most basic details they got wrong well enough.

There is some room to talk about how both movies seem to treat witchcraft as a monolith, making such claims as “you’re supposed to start in the east.” In reality, this depends on the witchcraft tradition. And some witchcraft traditions don’t even all the quarters. I think the important lesson here is that one shouldn’t turn to these movies or any other movie as an authority on what witchcraft is or how one should practice it. But this is not unique. I would not recommend turning to any movie as an authority on how to be a Christian or Buddhist either.

Personally, I think one of the most noteworthy thing about these movies is how they each portray the relationships between the four witches in each movie. In the original movie, the four young women turn adversarial and even hostile toward one another. I think this is partly because the first movie is your standard fare of “power corrupts and leads to bad things,” which even in 1996 seemed like a theme that had been overdone in horror/witchcraft movies.

And while we’re talking about that, can we just talk about all four witches in that movie seem pretty petty at times. Even Robin Tunney’s character seems pretty spiteful at times. The way she talks to Fairuza Balk’s character leading up to final fight seems pretty harsh to my ears. And then there is the final scene where she causes lightning to strike a tree branch, sending it nearly crashing down upon the two (now former) witches played by Neve Campbell and Rachel True. For what purpose? Just to prove to them that she still has “the power?” To give them a scare and a threat? In my experience, the truly great witches don’t feel a need to do that sort of thing. It’s disappointing that even the “good” witch seems to be a bit obsessed with “power.”

The sequel by contrast shows witches who are true companions that care deeply about one another. Even when the three witches are concerned that their friend is out of control and needs to be bound, they have the humility and self-reflection to see that they themselves have not been perfect. It also seems appropriate that they eventually reconcile and unite to defeat David Duchovny’s character in the end. Granted, the way Cailee Spany’s character tells him “it’s your turn to burn” feels a bit spiteful, but at least I can understand why she feels that way.

Another interesting difference between the two is that the first movie feels like “the Sarah show” in many ways. She is the witch that completes the coven. But she’s also the one who seems to have “real” power. She’s the one that teaches the other how to do glamours. And the movie seems to at least imply multiple times that the others have no power without her.

The sequel doesn’t seem to fall into this notion — at least not as badly. Yes, Lilly completes the coven and it’s not until she arrives that the other four witches really find their “power.” But it feels more like it still takes all four of them working together to accomplish many of their feats. Lilly doesn’t seem to be so much the leader or the teacher. The others are more integral to their efforts and the story rather than just being along for the ride.

Granted, Lilly is still clearly the main character. After all, much of the plot focuses on her discovery of witchcraft and conflict with Adam and the revelation of who her mother is at the end. But it still feels to me like the other three are important, even if they deserved a bit more character development and personal story arc.

There are just a few of my thoughts about this movie. In closing, I’d like to pose the one unresolved question I have about the movie (which has nothing to do with witchcraft).

What happened to Isaiah, Jacob, and Abe after their father disappeared (was killed)?