Category Archives: Witchcraft

Witchcraft Movie Corner: The School for Good and Evil

Looking for witchcraft-themed movies that were actually released in the past couple of years,1 I ran across “The School for Good and Evil,” which was released in 2022. So I decided to give it a watch and I have a lot of thoughts about it.

I should warn the readers that this post will be chock full of spoilers. So if you haven’t seen it yet and you dislike spoilers, you might want to run over to Netflix and come back to this post after you’ve watched it.

I also want to take a moment to acknowledge and point out the antisemitism in the movie. Toward then end, when the character Sophie begins to embrace her role as an evil witch, she begins to turn ugly. Both unsurprisingly and unfortunately, the movie-makers decided to portray her transformation as her becoming ugly in the stereotypical manner. And the stereotype of the ugly witch is firmly rooted in antisemitic caricatures of Jews. Similarly, as another reviewer pointed out, both Sophie and Rafal are shown as being the most evil because of their use of blood magic, which is another antisemitic trope often used. (For those not familiar, it’s rooted in blood libel against Jews. While some might be willing to overlook these things — as the movie is drawing primarily from fairy tales and these antisemitic tropes are pretty baked into those tales — I still find it disappointing. It would have been entirely possible to demonstrate Sophie becoming “ugly” without drawing on such stereotypes. And the use of blood magic played no major role in the movie and could have been written out altogether.

At the very least the movie could have interrogated those stereotypes. After all, it challenged many of the other fairy tale ideas, such as when Rafael points out that some of the fairy tale villains are sent to truly cruel fates and proudly declares them a “corruption of the good in the stories.” So before I move on with the many wonderful thoughts and themes I saw (or at least read into) the movie, I wanted to acknowledge these problems and sit with the discomfort that those in charge could and should have done better.

There’s not a lot to say about this movie’s portrayal of witches and witchcraft. There is no sense of witchcraft as a modern day witch like myself sees it in the movie. Instead, this is about fairy tale witches, who are almost always portrayed as evil. And that is how they are treated in this movie. Witches are common villain in the stories the students will participate in and therefore must either be trained to stop them or trained to be one of them.

At this point, a reader might rightfully wonder why I’m covering this movie at all then. I’d say that the main reasons are two-fold:

  1. I think fairy tales and story telling in general are important to witchcraft, or at least the witchcraft I practice.
  2. I have a lot of opinions on good, evil, and the whole idea of “good vs. evil.” As a lot of my opinions are bound up in my witchcraft practice and this movie explores those themes a lot, I feel it’s a good choice to use the movie to explore those topics.

I think it’s important to understand that historically, fairy tales and similar stories are meant to express and communicate values.2 They are used to communicate what is good, why it is good, and why it is important to embrace good. Many of these tales, as suggested in the movie, tend to express these ideas in the form of an outright battle between good and evil.

The problem with these stories is that it seems like many in today’s society try to see our world as a battle between good and evil. They want to draw lines and declare people good or evil. Unfortunately, the real world is often much messier than that.

Perhaps I read this into the movie (we tend to do that as humans), but it seemed to me that the movie was exploring that reality by moving the complexities and nuances of reality into the realm of fairy tales itself. This was most aptly displayed when Agatha is challenged with the accusation that she doesn’t actually believe Sophie is good after all by responding that it’s true, but only because she doesn’t believe that anyone is totally good or totally evil. It shows this in more subtle ways by taking a critical look at the “School for Good” in particular and in how it handles things like expelling students who fail out.3

Of course, this gets explicitly shown when Sophie manages to get the Good students to attack the Evil students unprovoked, suddenly reversing the roles of everyone. Suddenly, the Evil students all become beautiful and lovely while the Good students become ugly. And of course, the Evil (now “Good”) students turn around and defend themselves — though I will note that they do so without any sense of proportionality. As a viewer, it just seemed like everyone (except Aggie) in that scene had proven themselves to be terribly immoral.

I felt the movie could have done a bit better defining “good” and evil.” They gave a few hints when they suggested that the most powerful emotion for magic on the Good side was empathy. Also the rule that good always defends, but never attacks first was pretty good. And of course, you had the original fight against Rafal and his brother at the beginning when Rafal says that Evil will never cooperate or share. Rafal never really explains the difference between “fairy tale evil” and “real evil,” though he notes that it’s the latter he wants to usher in. I might speculate that fairy tale evil seems to be more about selfishness and pettiness whereas “real evil” seems to be about utter destruction and annihilation, but that’s based on very little actual exposition or explanation.

One of the things I will note is the commentary the movie makes on the desire for power. Many of the characters seem to desire it, including the good ones. It seems to be mostly Aggie who has no interest in it. In fact, she seems to almost entirely motivated by her twin desires to return home to her mother and help/protect Sophie.

I also liked that it at least questioned — though not always well — some common tropes, like the linking of beauty to good and ugliness to evil with the beautiful carnivorous flowers. Of course, this makes the fact that they fall into the “evil witch as an ugly hag” trope toward the end all the more disappointing.

Of course the movie still fails to answer questions I always have about the idea of balancing good an evil. What is the purpose of such a balance? What does such a balance really look like? I personally think the idea of evil and good in balance is in itself a trope that needs to be challenged and would have liked to see the movie go that far. But overall, I think it did a pretty good job of exploring some of the moral questions about good vs. evil in an entertaining and thoughtful manner.


1Seriously. I loved both The Craft and Practical Magic. But I’d like to cover some movies that aren’t more than twenty years old in this blog series.

2In some ways, I think they do a better job at this than many myths, and think that many of us who are looking to find connections would be well served by exploring these old tales at least as much as the myths we have, if not more.

3It’s not clear whether the School for Evil handles its expelled students in the same way, though I feel there’s a strong hint that it does. But then, such cruelty would be expected of a school that promotes evil, yes?

Witchcraft Movie Corner: Practical Magic

When I asked people if there were any particular movies that they wanted me to cover in the Witchcraft Movie Corner, Twitter user the life shantastic suggested I cover the 1998 movie Practical Magic. As someone who both loves that movie and is an eternal Sandra Bullock fan, how could I say no? Plus, it seems like it would be rude for me to refuse the suggestion from the only person who has recommended a movie as of the time I’m writing this post. So late Monday afternoon, I checked to see if any of the streaming services were offering it and fired up a browser to head over to Hulu.

One of the things that I love about this movie is that not only does it portray witches in a positive light (I’d be hard pressed to think of an earlier movie that did so), but did not focus on witchcraft as a way to get power. Neither Sally, Gillian, nor their aunts seem to be obsessed with power. So while the movie falls into other tropes — or at least comes close to doing so in some cases — it avoids being a cautionary tale about seeking power. (As an example of a trope ti does play into, the movie seems to play into the trope that witchcraft is a “gift” that is somehow inherited rather than simply something one can learn through practice.)

I also like some of the subtle ways in which the movie portrays Sally and her family using witchcraft. For example, Sally seems to stir her drink multiple times throughout the movie using telekinesis. And while I personally have serious doubt about whether telekinesis is real, I appreciate that the movie portrayed such non-showy examples of supernatural magic. It was not a movie of pure spectacle, in my opinion.

Speaking of subtle bits of supernatural magic, I particularly love the scenes where Sally would ignite a candle while blowing on its wick. While this was once again a more subtle and non-showy example of supernatural magic, I also found it interesting in light of one of the things I learned about candles.

For those not aware of it, according to some witchcraft traditions, one should not blow a candle used in magic (or other ritual) out. Instead, such traditions recommend snuffing candles out. While a number of reasons might be given for this, I was taught that for at least some traditions, this is rooted in Kabbalistic thought that says that breath is the source of life. According to these traditions, the thought of using the breath/source of life to extinguish a flame is unthinkable. I don’t know if it was intentional, but these scenes in the movie suggested a tribute to that line of thinking, having their witch use the breath/source of life to ignite the flame instead.

I similarly liked the way the brooms were used, not only to sweep Jimmy’s spirit out of the house at the end, but when it falls over indicating a visitor (and one that was unwanted) is about to arrive. This struck me as a nod to the use of brooms to guard against negative energy and even negative beings. Having the broom topple seemed to me that it was overwhelmed by the negativity.

Another theme I found interesting is other people’s reactions to witchcraft. I love that early in the movie, one of the aunts tells Sally and Gillian, “People don’t hate us. We just make them nervous.” This is something I’ve talked about before, how even in pre-Christian times, there’s evidence that witches weren’t always trusted. And why wouldn’t we be? And yet, the movie also points out the flip side of that reality: People may not trust witches, but they still may want the help of witches on occasion. This is best displayed by the woman on the island who comes to the aunts for a love spell.

This nuance continued on later when Gary starts interviewing the other people in town. Some of the rumors he here’s about the Owens women are wild and even border on slanderous. And yet, other people have sympathetic and even downright kind things to say about them. So the complexity and nuance in which the opinion of this family of witches was viewed was a nice change of pace from outright vilification or utter idolization.

Let me turn now to “the curse” and young Sally’s true love spell. I found the idea of a self-imposed curse upon the family a rather interesting one. First, it escapes the trope of witches cursing others.1 It should also be noted that the aunts seem to suggest that the curse wasn’t really meant to be a curse, but turned into one. This is the first introduction of the idea that magic can go in ways the person who set it in motion did not intend, which is another theme that gets touched upon throughout the movie. Including with young Sally’s love spell.

I will note that I always found Sally’s love spell odd. Perhaps it would make sense to a young girl, but her logic of avoiding love by making a spell to call up someone who “couldn’t possibly exist” just seems weak. The movie even makes this point by having the spell fail twice: First when Sally falls in love with Michael despite him not being her “true love” from the spell and then when the spell manages to summon the “impossible man” in Gary.

Speaking of Michael, the aunt’s foolishness in casting that love spell is one of the few instances where I question their wisdom. When they confess what they had done to Sally, one of them says, “We never expected you would truly love him.” I just don’t get how two allegedly wise women with serious witchcraft experience would never consider that this is a real possible outcome when you “push someone” to open themselves up to the possibility of a relationship. Sloppy thinking, ladies!

Where I do appreciate the aunts’ wisdom is when they leave for a while so that Sally and Gillian can learn a hard yet much needed lesson. And yet, before they go, they take care to protect Sally’s children. To me, that’s a realization that Sally’s and Gillian’s choices could have consequences for others and the aunts acknowledge their responsibility to prevent or at least mitigate that.

Beyond that, there are just a number of quotes that I loved in the movie. I may not produce them verbatim (so beware repeating them lest I end up starting some sort of Practical Magic Mandela effect), but these are all capture their essence:

  • “Being normal is not a virtue. In fact, it shows a lack of courage.”
  • “So you’re drugging you’re boyfriend to get a little shut-eye?” Gillian definitely should have payed attention to the red flag there.
  • “You’d think after three hundred years, they’d come up with a better rhyme!” Sally’s commentary on the accusations of the people outside her shop was so spot on.
  • “Fine, but I don’t want them dancing naked under the full moon.” I just love that they worked a mention of ritual nudity into the movie without making it a huge deal. And the aunt pointing out that the nudity is entirely optional was a perfect response.
  • “Since when was being a slut a bad thing in this family?”
  • “Magic isn’t just spells and potions.” I really want this one on a tee shirt.
  • “You can’t practice witchcraft while you look down your nose at it.” I feel like this is another one worthy of a tee shirt.

If there’s a witchcraft or other occult-themed movie you’d like me to watch and comment on, mention it in a comment. Or use the contact page to send me an email about it.


1Okay, technically, the curse seems to be on the men who fall in love with the women in the family However, it’s a curse that clearly hurts those women as well. So I’d still argue it’s technically a curse imposed upon the witches themselves.

Witchcraft Movie Corner: The Craft and The Craft: Legacy

As it’s Halloween time, Joe and I have been watching horror and occult themed movies. This past week, we re-watched both the 1996 movie “The Craft” and the 2020 sequel, “The Craft: Legacy.” I enjoy watching both of these movies, I find them rather entertaining. I also find myself having a lot of thoughts about both movies as a witch. This post will be my scattershot attempt to share at least some of those thoughts.

I won’t spend a lot of time talking about what details they got “wrong” or “right.” Sure, it annoys me that the refer to “calling the corners” in both movies rather than “calling the quarters.” But I think other people have discussed these most basic details they got wrong well enough.

There is some room to talk about how both movies seem to treat witchcraft as a monolith, making such claims as “you’re supposed to start in the east.” In reality, this depends on the witchcraft tradition. And some witchcraft traditions don’t even all the quarters. I think the important lesson here is that one shouldn’t turn to these movies or any other movie as an authority on what witchcraft is or how one should practice it. But this is not unique. I would not recommend turning to any movie as an authority on how to be a Christian or Buddhist either.

Personally, I think one of the most noteworthy thing about these movies is how they each portray the relationships between the four witches in each movie. In the original movie, the four young women turn adversarial and even hostile toward one another. I think this is partly because the first movie is your standard fare of “power corrupts and leads to bad things,” which even in 1996 seemed like a theme that had been overdone in horror/witchcraft movies.

And while we’re talking about that, can we just talk about all four witches in that movie seem pretty petty at times. Even Robin Tunney’s character seems pretty spiteful at times. The way she talks to Fairuza Balk’s character leading up to final fight seems pretty harsh to my ears. And then there is the final scene where she causes lightning to strike a tree branch, sending it nearly crashing down upon the two (now former) witches played by Neve Campbell and Rachel True. For what purpose? Just to prove to them that she still has “the power?” To give them a scare and a threat? In my experience, the truly great witches don’t feel a need to do that sort of thing. It’s disappointing that even the “good” witch seems to be a bit obsessed with “power.”

The sequel by contrast shows witches who are true companions that care deeply about one another. Even when the three witches are concerned that their friend is out of control and needs to be bound, they have the humility and self-reflection to see that they themselves have not been perfect. It also seems appropriate that they eventually reconcile and unite to defeat David Duchovny’s character in the end. Granted, the way Cailee Spany’s character tells him “it’s your turn to burn” feels a bit spiteful, but at least I can understand why she feels that way.

Another interesting difference between the two is that the first movie feels like “the Sarah show” in many ways. She is the witch that completes the coven. But she’s also the one who seems to have “real” power. She’s the one that teaches the other how to do glamours. And the movie seems to at least imply multiple times that the others have no power without her.

The sequel doesn’t seem to fall into this notion — at least not as badly. Yes, Lilly completes the coven and it’s not until she arrives that the other four witches really find their “power.” But it feels more like it still takes all four of them working together to accomplish many of their feats. Lilly doesn’t seem to be so much the leader or the teacher. The others are more integral to their efforts and the story rather than just being along for the ride.

Granted, Lilly is still clearly the main character. After all, much of the plot focuses on her discovery of witchcraft and conflict with Adam and the revelation of who her mother is at the end. But it still feels to me like the other three are important, even if they deserved a bit more character development and personal story arc.

There are just a few of my thoughts about this movie. In closing, I’d like to pose the one unresolved question I have about the movie (which has nothing to do with witchcraft).

What happened to Isaiah, Jacob, and Abe after their father disappeared (was killed)?

Tilting at Windmills: A Christian raises the alarm about Paganism and the New Age Movement

Every now and then — and especially around this time of year — someone decides to write a news article about Paganism and witchcraft. On occasion, it’s just an informational peace, noting our existence as if we’re some sort of curiosity. On rare occasion, we even see an article by one of own that is pretty positive.

Sadly, there are also a considerable number of articles — typically written by Christians — that are critical and and even downright defamatory toward us. In this blog post, I will be taking a closer look at one such article. I should note that this particular article focuses primarily on the New Age movement and Paganism — also called Neopaganism in the article. It mentions witchcraft a few times, but does not substantially focus on it as a potentially separate identity. (After all, some Pagans are witches, but not all Pagans are witches nor are all witches Pagan.)

The article starts off by talking about how children often grew up seeing the image of witches as evil characters in folk tales and other literature, then moves on to the author learning later in life that some people identify as witches, “but they weren’t all that bad.” The italicization of “that” makes me smirk. Thank you, Emmy Griffin. You are too kind.

Griffin closes here first paragraph with the claim that “Neopaganism and New Age are trying to supplant Christianity in America.” What’s interesting me me is that this is the sudden switch from talking specifically talking about witches to talking about Neopaganism and the New Age. She uses the terms interchangeably as if they all mean the same thing. They do not, and this choice immediately leaves me wondering just how reliable her sources are.

What may be more interesting, however, is Griffin’s assertion that we are trying to supplant Christianity. I do not think that this is an accurate statement. In fact, I would argue that it is a matter of projection. The vast majority of Pagan religions — and the New Age movement as well — are non-proselytizing. We do not seek converts. This is not to say that we don’t welcome newcomers or those interested in joining us. But we are also perfectly happy to let people stick with whatever religion they wish to, or no religion at all. Instead, it is Christians who often seek to convert others and even hold the belief that everyone must convert or face the wrath of the Christian god as a central tenet of their religion. So what Griffin is expressing here is a fear that others will treat her the way she and her fellow Christians treat others.

There may be a second fear here, however. And that is the fear that Christianity — or at least her brand of that religion — cannot compete with Paganism and New Age religions and people will find the latter more preferable to her own faith. But surely the Pagans and the New Agers cannot be held responsible for her own religions failure to remain competetive in today’s spiritual marketplace.

Griffin spends the next paragraph giving statistics on what various people believe in various religions or are atheists, presumably to back up her claim that we’re all seeking to supplant Christianity rather than treating it as evidence that other religions and even nonreligious belief is more appealing than Christianity.

Weirdly, Griffin then takes a jab at Pagans and New Agers by invoking an old quote by G.K. Chesterton:

As Christian apologist G.K. Chesterton once said, “When men stop believing in God they don’t believe in nothing; they believe in anything.”

This quote reeks of Christian supremacy, suggesting that other belief systems in general and Paganism and New Age spirituality in particular are somehow inferior and for gullible people. It seems like a rather harsh and unfounded assessment on both Chesterton and Griffin. It demonstrates a sort of aggressive dismissiveness and condescension that likely does nothing to help attract people to her own religion.

Griffin then goes on to give her explanation of what Paganism and the New Age movement is, citing an LA Progressive article as her source. This is an interesting choice because Bruce Larro, the author of that article, does not himself seem to be part of either movement. To Larro’s credit, his own research on both movements included looking into the actual words of members of those movements. So in this sense, Griffin’s choice of Larro as a source is far to superior to someone like Mike Warnke or Bill Schnoebelen. However, the fact that she used a non-primary source rather than seeking out actual Pagans (to whom she refers as “Newpaganists” later in the article, again calling her knowledge and credibility into question) and New Agers directly is questionable.

This is especially questionable when one reads Larro’s article. While considerate and even mostly positive, Larro’s article has a clear agenda: To consider the two movements through the lens of socialism and to consider whether either movement could serve as a spiritual or religious vehicle to support the socialist movement. I suspect that this is exactly the reason Griffin chose this article as her source. Socialism is another bogeyman of conservative Christians and they often like to link all of their bogeyman into a single (often Satanic) conspiracy. This hypothesis finds support in the following paragraph found a little later in the article:

Climate change, transgenderism, abortion, cancel culture, and even critical race theory (CRT) have their poisonous roots in New Age and neopagan religious ideas. Under the auspices of New Age fall CRT and cancel culture. The tenets of CRT and cancel culture emphasize the importance of “lived experience,” “special knowledge,” and manifestation of your best life. Anyone who dares to contradict these deserves to be canceled because they are evil according to New Age. Ironically, New Age preaches that it can help its adherents self-help their way out of their problems while also creating a victim class.

Had Griffin geared her research toward exploring the truth rather than mining for quotes and sources that fit her narrative, she might have discovered that opinions on many of those topics vary greatly among Pagans (and presumably New Agers as well). The accusation that either movement acts with a hive mind with no disagreements is woefully ignorant. And again, I posit that this is more likely a matter of projection on Griffin’s part: She assumes that Pagans demand conformity of opinion because her own brand of Christianity demands it.

Griffin then mentions the former astrologist Angela Ucci. I had never heard of Angela Ucci before reading this article and a Google search of her brought up little more than YouTube videos of interviews she’s given and her own social media pages. Beyond that, she seems like a total unknown, which raises the question of why Griffin chose such a relatively unknown person to hold up her experience and try to paint it as universal among New Agers. Again, this feels more like Griffin cherry-picking a testimony that fits her desired narrative rather than an honest attempt at research or presenting factual information.

Griffin hen goes on to give examples that she considers evidence of the two movements’ growing influence, citing media portrayals of witches and the portrayal of witches and Pagans in a positive light, something which seems to bother Griffin greatly despite the fact that she doesn’t articulate why that is as well. Instead, she offers barbs like “it’s the embodiment of chaos.” Which is a particularly ironic in light of her previous claims that Paganism and the New Age movement are a monolith which demands adherence to the group think. The idea that everyone must think alike and chaos (or total individualism, as Griffin mentions later) are fairly incompatible concepts. Griffins accusations are rather inconsistent and incoherent if one merely scratches the surface a bit.

Griffin then invokes the specter of the Satanists, mentioning a specific incident in Texas:

This rise in New Age/mysticism and paganism is getting ever more prevalent in the mainstream culture. In Tyler, Texas, over the weekend, satanists (who would go into the neopaganism column) had a booth at a Pagan Pride event. The Morning Telegraph, a local paper covering the event, quoted the event organizer, Raynie Castañeda, as saying the event was not satanic, just an alternative celebration of non-Abrahamic religions. She said: “There’s kids trick-or-treating, people getting their faces painted. … We’re not doing anything satanic or any crazy rituals. We’re just existing.” She must have missed the part where the Satanic temple booth was preforming “unbaptisms” for $10 and handing out certificates that literally said: “All bonds of servitude have been broken. Power and agency have been restored. Thyself is thy master. Hail Satan!” Maybe Castañeda doesn’t understand what “satanic” is?

There’s a lot to unpack in this quote and I’m not sure I’ll be able to get to it all, but I at least want to start that process. The first thing to note is that she uses the activities of a single group and their booth to paint a picture of all the other Pagans attending the event. Again, this is a case of Griffin cherry picking examples that fit her narrative and ignoring anything that might run counter to it.

I will also note that Griffin seems to either be ignorant of the fact that The Satanic Temple is primarily an atheistic form of Satanism or is intentionally ignoring or even erasing that fact. When most members of the Satanic Temple say “Hail Satan,” they are not literally talking about the Christian devil, but a concept or a principle. So yes, even the Satanists in this story most likely do not consider themselves “satanic” in the sense that Griffin is attempting to imply. Then again, Griffin seems to think that anything that doesn’t fall into step with her own brand of Christianity is satanic, so maybe they do. But I don’t find that a particularly useful or honest use of the word on her part.

The concept of “unbaptisms” — which Griffin seems to find troubling and possibly offensive — is an interesting concept. As someone who had a bad (though not as bad as others) experience in evangelical Christianity, I can certainly see what value some people might find value in a ritual act of breaking ties with their former, toxic religious experiences. So Griffin cries fowl and animosity toward Christianity without exploring why some might justifiably feel such animosity.

Griffin closes her article with the unfounded and unsubstantiated claims that Pagans and New Agers are seeking to destroy American soceity and that neither movement offers true happiness. This later is a claim that I hear often, but ignores the many Pagans (and presumably New Agers) that are quite happy and lived fulfilled lives. But again, our experiences and our truths do not fit Griffin’s narrative so we must either be ignored or presumed to be lying.

In closing, I will just note that I am again disappointed in just how uninterested many Christians are in pursuing and presenting the truth despite their many claims to the contrary. There is so much dishonesty in Griffin’s article and the way that she presents her case that I struggle to believe that it is not intentional.

New Video: Power in the Craft

Updated 5 May 2024: Replaced the shortcode with the URL for the YouTube video to properly embed it.

In this week’s video over on YouTube, I talk about the concept of power in the Craft.

As a former evangelical, I think it’s important to have an understanding of power that prohibits control and abuse of others. One of the things I did not mention in the video is the role of systemic power. Also, institutional power.

I think that systemic/institutional power should be avoided. All individuals should have access to power. This leads to equity and justice. I keep coming back to the idea of self-empowerment in witchcraft. That’s because I think it’s an important topic.

Institutional power and self-empowerment often come to odds with one another. For evidence, consider how institutions expect individuals to give up freedoms and make sacrifices for “the greater good.” But whose greater good? Most often, the institutions’ greater good.

As an aside, I’m amused by the fact that this topic came up during Pride Month. LGBTQIA people (though clearly not the only group) have been hit hard and abused by institutional power. Especially the institutions of various Christian churches. We desperately need a vision of power that breaks down that harm.

New Video: Magic as Self-Empowerment

I created and posted a new video yesterday about practicing magic for self-empowerment

[youtube https://youtu.be/8sxiYSOC8zQ]

Listening to some witches and other magical practitioners talk lately, I feel like we forget that we work magic to empower ourselves and improve our lives. At least, I hope that’s why we do it.

It’s too easy to get bogged down in the rules. “Only do this kind of spell when the moon is in this phase.” “You can’t do that spell right now! Mercury/Venus/Pluto/the moon is retrograde!” (I know the moon can’t go retrograde. It was a joke.) Or magic and our rituals start feeling like heavy obligations. (“Ugh! It’s the full moon! What am I going to do for magic?” “I don’t know what spell to do.”)

As I say in the video, I feel like these kinds of statements and questions often indicate that someone has forgotten that we do magic for self-empowerment. Our magic must be tailored to serve us rather than the other way around.

New Video: Living a Magical Life

After an extended break, I decided to get back into making some YouTube videos about witchcraft. In this latest video, I talk about what it means to lie a magical life.

[youtube https://youtu.be/N-3j-5DfCOM]

As I mentioned in the video, I think this meshes well with my old podcast episode about the everyday sacred. When everything is sacred and every act is magical, the world becomes a thing of amazing beauty and we are left in awe of it.

I also think this understanding of what it means to live a magical life creates a more holistic mentality than an understanding of magic that focuses on mere spellwork and ritual. It encourages one to see oneself as a witch when getting up in the morning, when doing the dishes, and when showering.

This mentality is also helpful, I think, for those who feel pressure to be magical all the time. I’ve noticed a few times on Twitter people talking about how it’s okay to not work magic if you’re not feeling up to it, even if it’s a full moon or a sabbat. I completely agree, but I’d take it a step further by noting that an intentional decision to take not do something for the sake of your own health is actively living a magical life as well.

New Video: Ritual Planning for Beginners

Image of my and my husband's permanent altar space.

This week, I posted a video about ritual planning for beginners over on my YouTube channel, A Wyrd-Worker’s Wisdom. Be sure to check it out.

[youtube https://youtu.be/Fv1PUSQGs6k]

When I first got started with witchcraft back in 1998, I struggled to figure out why I was doing a ritual. The books I was reading kept telling me that rituals — especially full moon rituals — were important. But I’d look over their example rituals and they seemed so…bland and pointless. They didn’t resonate with me.

For me personally, I think that’s because most books focused on rites performed for the full moon and Sabbats. I think it takes time tor really become comfortable with them. Hell, there are a couple Sabbats — like Mabon — that I’m still not entirely sure what to do with.

I think this is why it’s easier to start ritual planning with simple things, like a daily offering to the Divine. Or perhaps a daily ritual to center, ground, and shield. These are simple, yet important activities that are easily grasped. So it’s easy and good practice to make a ritual out of them. You can even ritualize little everyday practices.

How about you? What advice to you have for beginners who are just getting started with ritual planning?

The Human-Deity Divide: A ResponsE

Image of Freyja standing with spear and shield in front of her cart.
Freya by Johannes Gehrts. Public domain image.

Earlier this week, I ran across Patheos blogger Astrea’s critique of the “Inner Goddess” movement. I agreed with a great deal of her criticisms, though I found myself disagreeing with some of her theological statements. As a fellow polytheist with different views on the human-deity divide, I would like to explore those statements and why I disagree with them.

I believe we have Divine essence within us.

While I may not believe I have a literal deity inside of me, I do believe that there is Divine essence within me. This is because like everyone and everything else, I am part of the One Eternal Reality. Furthermore, it is this Divine essence within me that allows me to reach out to Divinity and connect with it. I cover this in more detail in my first podcast episode.

Also, in my craft practice, that Divine essence within me is what allows me to shape wyrd and become a co-creator with the deities. My whole ability to work magic is predicated on this.

My deities aren’t perfect.

Astrea’s theology seems to elevate gods to a sort of superhuman perfection, which is not how I view my deities at all. She is right that my deities don’t need to use the bathroom. But they are sexual beings. And they can age. There’s a whole myth about it happening, even.

Also, my deities often seem subject to many of the same failings as humans. They can allow their anger to get the better of them. They can be outsmarted and even tricked.

This doesn’t lessen them or make them any less worthy of my respect. It just means that I approach them more soberly and with a little less than total awe. That brings me to my next point.

My deities are close and approachable.

I read Astrea’s descriptions of deities and they seem lofty, abstract, and difficult to approach. My deities are much more earthy than that. They don’t glow. I think Freyja would find the idea of glowing a bit silly, to be honest.

The myths of my deities are rife with them coming to the human world and interacting with humans regularly. They seem to relish that contact. And none of those myths mention the deities glowing or being aloof around their human hosts and companions.

The myths themselves stomp all over the human-deity divide.

In one myth, the god Heimdall gives birth to humans. In other myths and legends, humans seem to ascend to the status of being a deity. This suggests to me that the human-deity divide is not that great. It certainly isn’t insurmountable.

Conclusion

I think that Astrea’s criticisms of the “Inner Godddess movement” are valid and spot on. However, her theology on the nature of the deities and humans differs greatly from my own. Which is fair, and I appreciate her post, as it allows me to explore those differences. Doing so gives me a greater understanding of my own views.

Witchcraft Video: Getting Started

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This weekend, I uploaded my second witchcraft video on YouTube. This one is about getting started.

[youtube https://youtu.be/6yg8cwpjnyc]

I appreciate Sarah Anne suggesting this topic to me. It pushed me to think about my recommendations for beginner witches. When people ask how to get started or what to study first, I often reply with, “It depends on what you want to learn.” That’s a true statement. However, it’s not helpful to those just starting out. Going through my personal story while writing this video’s script helped me come up with solid bits of advice. For example, I remembered the basic practices I consider fundamental.

By remembering my own “wrong turns” or “detours,” I remembered to encourage beginners to risk making a few false starts. I found the important message that figuring out what doesn’t work for you — even through trial and error — is an important part of the learning process.

I’m also convinced of the wisdom of my “stick with one book at first” stance. Many will question that position. However, I think that critical engagement with a single text really is important for beginners. With luck, they will seek out further sources as a result of that engagement.

Of course, there is one bit of advice that I did not cover in this witchcraft video. I still think it’s vital to define what one hopes to get out of witchcraft.